David Reynolds was the complete opposite, bringing a calm and composed portrayal that was worked so well as his young employer became excitable. His matter-of-fact delivery, understanding and advice on how to conduct a perfect murder incited his master to action. These two actors developed their characters to work in tandem and produced entertaining theatre. Sharon Copitch was the fearsome Lady Julia Merton, and one could imagine her as the “mother-in-law from hell” once the marriage vows have been exchanged. Sharon gave the character an imposing and forthright presence on stage. I would think any groom might want to think twice about going through with the marriage. There was a nice contrast between mother and daughter, Hanah Ramsden, as the bride-to-be Sybil was much more patient and understanding of her betrothed. There was a certain amount of innocence and quiet demeanour but all dialogue was delivered with confidence. There was, for me, a touch of Michele Dotrice in the delivery. The character portrayal worked well opposite the manic lord’s. Adding to the mayhem was Charlie Cook as the eccentric anarchist,
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